Artist Gallery Talk featuring Curator Lissa Hunter, and exhibiting artists: Lynn Duryea, Tom Hall, Jamie Johnston, Julie Morringello, Jan Owen, Todd Watts, and Susan Webster. Find more information about the exhibition here Darkness and the Light On view from July 12—September 20, 2019
Darkness and the Light Lecture featuring Bernie Reim, author of the Portland Press Herald's monthly astronomy column What's Up?, co-host of WMPG’s live weekly radio program "Scientifically Speaking", and an Instructor of astronomy lab courses at the University of Southern Maine. Find more information about the exhibition here Darkness and the Light On view from […]
Darkness and the Light Performance featuring jazz musician Barry Saunders. Saxophonist, clarinetist and composer, Barry Saunders has played clubs, festivals and concerts throughout the United States, with a few dates in Europe and Asia, with such notable musicians and ensembles as Conte Condoli, Pete Christlieb, OK|OK, Michael McGinnis, Stew & TNP, Brad Terry, Erik Deutsch, Barry […]
CURATORIAL TALK WITH LISSA HUNTER Surface Design Association Maine (SDA Maine) and Maine Crafts Association (MCA) present a talk with Lissa Hunter, the curator of Darkness and the Light at The Institute of Contemporary Art (ICA) at Maine College of Art & Design (MECA&D) on Saturday, September 14 at 2 pm. The talk is free and open […]
Artist Lecture: with Machine Dazzle, Costume Designer for Taylor Mac, on Tuesday, September 17, at 6pm in Osher Hall at MECA&D.
Artist Gallery Talk featuring Curator Lissa Hunter and exhibiting artists: Rebecca Goodale, Joe Hemes, Alison Hildreth, George Mason, Warren Seelig, and Carol Stein. Find more information about the exhibition here Darkness and the Light On view from July 12—September 20, 2019
Come see first-hand why students are choosing to study in MECA&D's close-knit community and rigorous artistic programs.
Roughhouse Friday chronicles the year Coffin won the middleweight title of a barroom boxing show in Alaska.
Sayers’s practice examines the role of traditional artwork in a contemporary world. He believes that for an art form to remain vibrant, it must evolve and adapt, but remain true to its origins.