Stretching My Architectural Imagination by Kylie Ford MFA '18

My experience during the 2017 MFA research trip to San Francisco and Los Angeles was a fruitful one. Along with the established itinerary, packed with visits to art institutions and scenic locations relevant to the West Coast, I took the opportunity to conduct some specific research outside of the already packed schedule. Within my practice, my interests are largely influenced by the architecture of my immediate environment. While in Los Angeles, I sought out the opportunity to gain more insight into the matter and visited the A+D Architecture and Design Museum. On display were the exhibitions

While in Los Angeles, I sought out the opportunity to gain more insight into the matter and visited the A+D Architecture and Design Museum. On display were the exhibitions Architectural Imagination and The Landscape Architecture of Lawrence Halprin. They contained preliminary work for architectural structures, refined models for the structures, and, in some instances, photo documentation of the completed projects, as demonstrated in the exhibition of Lawrence Halprin’s work. Halprin was a San Francisco Bay Area artist, notorious for his work within San Francisco’s Ghirardelli Square, an environment I had experienced first- hand just days previously. Speaking at the Architectural Imagination exhibition, I was floored by the combination of model and collage works operating in the context of exhibition as preliminary work for a larger project, but in my view also operating as stand-alone works. As collections of work, the exhibitions demonstrated innovative techniques for developing form within a variety of landscapes, shifting my perspective on how scale operates within a vast space and broadening my perspective on the ways that architecture shifts landscapes, both urban and rural. These exhibitions showed me how comparable these processes are to my own practice while challenging my perspective on how space and aesthetics, in response to an immediate environment, can function within both an exterior context and a gallery context.

As collections of work, the exhibitions demonstrated innovative techniques for developing form within a variety of landscapes, shifting my perspective on how scale operates within a vast space and broadening my perspective on the ways that architecture shifts landscapes, both urban and rural. These exhibitions showed me how comparable these processes are to my own practice while challenging my perspective on how space and aesthetics, in response to an immediate environment, can function within both an exterior context and a gallery context.

Kylie Ford MFA ’18 is a second-year MFA student who has exhibited her work nationally. 

Images in Header:

  1. Handmade collage on inkjet prints by Marshall Brown Projects/ Dequindre Civic Academy at the Architectural Imagination exhibit at the A + D Architecture and Design Museum in Los Angeles. Photo by Kylie Ford MFA ’18.
  2. Model for “New Corktown” by Albert Pope and Jesús Vassallo of Present Future, at The Architectural Imagination. Photo by Kylie Ford MFA ’18.
  3. Project by Dequindre Cut, Hilary Sample, and Michael Meredith of MOS Architects at The Architectural Imagination. Photo by Kylie Ford MFA ’18